Reading Rachel Cusk’s luminous novel OUTLINE, I was reminded of how much I love stories that involve travelers. Probably because the notion of boarding a plane or train implies adventure and the prospect of meeting new people and learning something, I become engrossed and hopeful, even if the travelers are not, strictly speaking, happy themselves. I also love that this metaphor calls our attention to the idea that we are all on a journey of some sort. Which is true. Even if sometimes we feel stuck.
Although slim and seemingly uncomplicated, OUTLINE captures many truths and insights. The narrator, a woman who has been hired to teach a writing class in Athens, is going through something—a difficult divorce, we can infer—and although the particulars are not explicitly addressed, it becomes increasingly clear that her conversations with her fellow travelers and students are serving to outline her situation. Their autobiographical stories—with just a hint of dialogue on her part—create what artists would call a “negative space” portrait of her. They sketch the space around her life, if you will, instead of trying to draw it directly.
This is a writer’s book—not only because it’s about writing but also because it will make you think about how amazingly it’s written.
PS: Rachel Cusk has written a follow-up, TRANSIT, and the New York Times Book Review reports that she intends to make this a trilogy. Stay tuned!